Hollywood Inclusion

Elsa Sjunneson

Elsa is a powerful short film that challenges assumptions regarding individuals who are DeafBlind. The documentary-style film was directed by Cameron S. Mitchell, a RespectAbility Entertainment Lab fellow. The short film is premiering as part of PBS’s American Masters series, a collection of short films originally started in 1986 that celebrates American arts and cultures. Elsa is a part of a series on Helen Keller that aims to spotlight modern DeafBlind role models.

Elsa follows Elsa Sjunneson, a DeafBlind professor and speculative fiction writer who fences and likes wearing vintage dresses. It explores how the reality of being DeafBlind differs from the stereotypes and misconceptions. The film masterfully depicts a successful disabled woman without relying on ableist tropes like the “SuperCrip” or inspiration porn by letting Sjunneson tell her story in her own words.

One of Sjunneson’s opening lines, “I think a lot of people hear the word DeafBlind and they assume that I’m going to be quiet,” sets the stage for a film meant to challenge ableism. The very nature of the film, which is heavily narrated by Sjunneson, contradicts this stereotype. She will not be quiet just because people expect it from her. Sjunneson does not dance around the point, she tackles it head on with an air of confidence that only someone sure of themselves can conjure. This allows the audience to trust her; she is sure of herself, so we should be too. [continue reading…]

Lab alumni Shireen Alihaji (2019), Elisabeth Good (2020), Cashmere Jasmine (2021), Ru Kazi (2019), and Peter Lee (2022) shared their industry experiences and offered advice during the opening session of the 2022 virtual cohort of the RespectAbility Entertainment Lab.

Los Angeles, Aug. 19 – RespectAbility’s Entertainment Lab kicked off its latest 2022 virtual cohort earlier this week, welcoming eighteen individuals and one writing duo, from the United States, Canada, Argentina, and Australia. The Lab’s first session included a panel of recent Lab alumni who shared their industry experiences, offered advice to the participants, and discussed their most recent projects and endeavors.

Peter Lee

Peter Lee, a television writer who just completed the in-person version of the Lab earlier this summer. Lee described how RespectAbility’s guest speakers and industry panels helped him find unique consulting opportunities. “The execs that we met with really understood how valuable our perspectives and experiences are,” said Lee. Lee also shared his hope that the newest cohort make every effort to get to know each other and connect with professionals to build a lasting network. “I felt an immediate connection to everyone. They really understood what it meant to be disabled, and I didn’t realize how meaningful that would be to me.”

Shireen Alihaji

Shireen Alihaji is a filmmaker and alumna of the 2019 Lab. She spoke about how the Lab provided her with the opportunity to share her disability in an empowering way. Her film, Blue Veil, which Alihaji included on her Entertainment Lab application in 2019, is based on a personal narrative and was featured on both The Black List and the Cannes Screenplay List. “I felt like I was in a safe space, and I also learned how to talk about my project,” she shared. “The friendships I gained from this space were amazing and life-changing, some of which turned into collaborations,” Alihaji continued. In addition to her other accolades, Alihaji was selected for the Sundance Institute’s Latine Collab Scholarship this past year. [continue reading…]

Los Angeles, Aug. 15 – To continue to ensure accessibility for disabled entertainment professionals, the RespectAbility Entertainment Lab will host a virtual cohort this year, building on the success of a virtual format begun during the COVID-19 pandemic.

Eighteen individuals and one writing duo, from the United States, Canada, Argentina, and Australia, will participate in semiweekly meetings, presentations, and discussions throughout August and September with industry professionals and executives from partner studios, nonprofits, and production companies. In addition, they will have opportunities to workshop their materials for feedback from other cohort members.

RespectAbility, a diverse, disability-led nonprofit that works to create systemic change in how society views and values people with disabilities, piloted the Lab in 2019 in Los Angeles. The Lab went virtual in 2020 and 2021 before holding an in-person cohort in Los Angeles in June and July of this year. The virtual format in prior years proved so invaluable to participants and the entertainment industry that RespectAbility decided to continue its successful virtual Lab program. [continue reading…]

Los Angeles, July 21 – A road trip dramedy that is as witty as it is raw and real, Unidentified Objects captures the pain and charm of living on the outskirts of society. The new feature film directed by Juan Felipe Zuleta and written by Leland Frankel is premiering this week at Outfest LA.

Dedicated to finding a way to get to a rural spot in Canada, where she is sure she will be again abducted by aliens, Winona J is a spirited and optimistic character who is sure she is not the one who is crazy. She is joined by Peter, a cynical neighbor who has given up on believing in the world around him – and perhaps with good reason as he has forever been objectified as a homosexual little person. Both neighbors find themselves pushed to face their most hidden demons as they learn more about each other in one of the most unconventional road trips you could imagine. [continue reading…]

Los Angeles, June 3 – As RespectAbility’s Entertainment Lab expands and returns with an in-person option, 20 individuals have been accepted into the Los Angeles Cohort of RespectAbility’s fourth annual Lab for Entertainment Professionals with Disabilities. RespectAbility, a diverse, disability-led nonprofit that works to create systemic change in how society views and values people with disabilities, piloted the Lab in 2019.

Now entering its fourth year, the Entertainment Lab aims to further develop and elevate the talent pipeline of diverse professionals with disabilities working behind-the-scenes in television, film, and streaming. Lab Fellows meet studio executives and other decision makers who advise them on various aspects of the industry and their craft. This also enables studios and production companies to learn about the talents and benefits of hiring disabled people to work in all aspects of the storytelling process. As such, Lab alumni currently are working at Disney, Netflix, Nickelodeon, Paramount Pictures, Showtime, and more. [continue reading…]

Read the full report

Los Angeles, CA, May 27 – For the fourth year in a row, Think Tank for Inclusion & Equity has released a report about the barriers to entry and advancement faced by underrepresented writers. And as with last year’s report, the disability community lags behind every other marginalized community. The new report, titled Behind The Scenes: The State of Inclusion and Equity in TV Writing, is based on a survey of 876 respondents and results from two focus groups. Thirteen percent of the survey respondents identified as disabled.

“Disabled writers and actors are part of the largest, and one of the most intersectional, groups on the planet — yet it wasn’t until a few years ago that we began to be included in diversity and inclusion initiatives, in industry reports, and in media equity analyses,” said David Radcliff, one of two disabled steering committee members within TTIE (alongside Katherine Beattie). “Hollywood has a lot of catching up to do, where disability is concerned, and there’s no better time than now, as Zoom rooms become more normalized and the industry itself is being retooled, to finally welcome us.”

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Los Angeles, May 20 – In the short documentary, My Disability Roadmap, from father-son filmmaking team, 22-year-old disabled filmmaker Samuel Habib and his father Dan Habib, we witness a glimpse of Samuel’s journey to adulthood told through his point of view. Samuel is a college student with cerebral palsy and epilepsy, living in Concord, New Hampshire. Navigating the ableist biases of our society, especially in terms of how people treat him, Samuel decides to meet with some of the most influential disability advocates in America (including Ali Stroker, Bob Williams, Judy Heumann, and more) for advice. What Samuel learns on his journey is that he is not alone; all individuals struggle in our society, regardless of disability. As Samuel says, “Disability is part of the natural diversity of the world…We should not be segregated.” As someone with a physical disability myself, I could not agree more.

Samuel Habib

Samuel also says, “No one tells you how to be an adult, let alone an adult with a disability,” and I am sure several people can relate, including myself. All of Samuel’s struggles are extremely relatable, but when it comes to disability there is no roadmap for how to maximize opportunities in society, whether it be socially or economically. “Knowledge” is a key theme in the documentary as we follow Samuel learning from his mentors or Samuel educating those around him about his disability. [continue reading…]

Minnie Mouse, Daisy Duck and Fig in a scene from “Mickey Mouse Funhouse”

Los Angeles, CA, May 13 – Fans of Mickey Mouse who use ASL to communicate will be seeing themselves represented by a new character, Fig, a gnome friend who is deaf.

Fig made his debut in Disney Junior’s “Mickey Mouse Funhouse” Friday. A drummer and music enthusiast, Fig and his sister Olive help Minnie and Daisy understand how he communicates. “The Music of the Seasons” will re-air throughout the month of May and beyond and Fig will appear in additional upcoming episodes alongside Mickey and his friends.

RespectAbility Vice Chair Delbert Whetter and his brother Jevon Whetter, who are both deaf, consulted on the development of this character.

“Jevon and I feel so privileged and honored to connect young deaf and hard of hearing children with such iconic characters as Mickey and Minnie using ASL, a language that is visually accessible to them,” said Delbert Whetter, who has more than 20 years of experience in producing animated feature films. [continue reading…]

Toronto, May 6 – Accessible Media Inc. (AMI), in partnership with the Canadian Media Fund (CMF) and Telefilm Canada, is launching a Disability Screen Office (DSO) in Canada to eliminate accessibility barriers and support and amplify disabled creatives.

“It became apparent that there is currently no single program, incentive, or regulation that can cause the screen industry to be fully inclusive for people with disabilities,” said Andrew Morris, Manager, Independent Production, AMI-tv. “The only way to create meaningful real opportunities for people with disabilities in the media industry is to address the systemic barriers relating to education, industry regulations, insufficient and/or inaccurate representation, public beliefs and attitudes, and full accessibility throughout the media industry.” [continue reading…]